Browse Exhibits (2 total)

Man o' War: In Others' Words

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On the morning of March 29, 1917, a brief entry in the daybook at Nursery Stud near Lexington, Kentucky, documented the birth of a colt: “Mahubah foaled chestnut colt by Fair Play. Star, narrow stripe from right of star down center of nose. Height 42, girth 33.”1 A telegram notifying the colt’s breeder, August Belmont II, of his birth was characteristically succinct: “Mahubah foaled fine chestnut colt.”2 Nothing about the routine foaling or unassuming long-legged colt could predict the fame to which he would rise.

In celebration of the 100th anniversary of Man o’ War’s birth, this compilation of photographs is paired with commentary from industry players, both past and present, that has immortalized the legend that is Man o’ War.

Man o’ War: In Others’ Words is a commemoration of Man o’ War revealed through select photographs, monographs, and serials from the Keeneland Library collections. From Turf writers to racing officials and biographers, and from his owners and trainer to his riders and grooms, Man o’ War is here remembered through the work of photographers and the words of many.

The exhibit consists of four main galleries accessible in the menu on the left:

  • A Retrospective

  • 1919: Two-Year-Old Season

  • 1920: Three-Year-Old Season

  • Stud Career

 

1. C. W. Anderson (1943). Big Red. New York: Macmillan Company, p. 4
2. Dorothy Ours (2006). Man o’ War: A Legend Like Lightning. New York: St. Martin’s Press, p. 15 

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The Artistry of Peb

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The Artistry of Peb showcases a representative sample of the artwork of Pierre Bellocq, who signs his work as "Peb." Peb worked for The Morning Telegraph and the Daily Racing Form for over 50 years illustrating jockeys, horses, trainers, and owners, as well as specific races, events, and generalized comic cartoons.

Peb placed his collection of approximately 2,500 original works of art including sketches, drawings, comic strips, cartoons, and caricatures of the equine industry at the Keeneland Library in 2009. The collection includes work in pen and ink, watercolor, chalk, acrylic, and pencil on paper or board stock. Select digitized pieces are highlighted in this virtual exhibit.

 

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